Director Eric von Stroheim has a larger than life reputation to this day, due to his multiple clashes with studios about budget and artistic freedom and even his tense relationships with some actors in the set. But this film, being one of his biggest successes, both financially and among audiences, proved that Stroheim could also excel in more mainstream films with well-established actors.

This film is an entertaining musical, starring the heartthrob John Gilbert (at the height of his fame and delivering a fine, passionate performance) and Mae Murray (an actress with good comedy and dancing skills, who was formerly in the Ziegfeld Follies).

This film had a careful production by MGM, which was already one of most prestigious studios of the era. The scenery is grandiose and the pace is quite relaxed, almost a fairy tale. Erick von Stroheim took time to introduce the characters. There is clever use of visuals and images, as Stroheim was almost literary when it came to attention to details of the plot.

John Gilbert played Prince Danilo Petrovich, a womanizer. His cousin, Crown Prince Mirko is also a womanizer and they both often competed for affections of the same women, although Mirko lacked the charm and elegance of Danilo and deep inside he was envious of it. Mae Murray was Sally O’Hara, a dancer (a role that fit perfectly the dancing qualifications she had in real life). Both Danilo and Mirko got attracted to Sally, as well as wealthy Baron Sadoja (the Baron turned out to be a feet fetishist and that gave room to some quite funny scenes). Sally chose Danilo as her sweetheart and they both fell in love with each other and Danilo wanted to marry Sally.

However, king Nikita forbade Danilo to marry her because she was a plebeian and a dancer and a prince was supposed to have the duty of marrying a proper woman to his dignity due to loyalty to his kingdom. Therefore, Danilo ended up leaving Sally at the altar because he could not bear the pressure of his family.

After such disappointment, Sally accepted marrying older Baron Sadoja, who had conveniently passed away at the wedding night. Sally inherited Sadoja’s estate as well as the title of Baroness.

One year later, both Danilo and Sally meet in Paris. They both started dancing in the ballroom and talked about the past. The point is that Crown Prince Mirko was also in Paris and it became clear to Sally that Mirko showed interest in her only because of her money and she suspected that Danilo’s affection for her was not sincere either.

Danilo challenged Mirko for a duel, even though Sally begged him to give up this idea. It seemed Danilo had died in the duel, but he only got wounded. Meanwhile, King Nikita passed away and Mirko inherited the throne, but it would not last because he was assassinated right afterwards. The second in the succession line was Danilo, who became king and was finally free to marry Sally, which he did without hesitation. 

Buster Keaton is famous for his masterpieces The General (USA, 1926) and Steamboat Bill, Jr. (USA, 1928), but this cute little gem is within the same level of aforementioned films and one of most elaborate Keaton works in terms of special effects.

With a highly relatable plot of a boy in a humble existence who wished to have a more successful life, naturalistic acting with touches of romanticism (mixed with a plenty of physical gags, typical of Keaton’s work) this charming little comedy has stood well the test of time and could delight modern-day audiences without difficulty. After all, cinema always has the power of transforming lives and make people’s dreams come true.

Buster Keaton works as a projectionist who studies to be a detective too. He operates the projector in a small town movie theater and also does the cleaning. His working routine is shown in the beginning of the film, which provides a good glimpse of what 1920s movie theaters looked like. As the said in one of initial intertitles of the film “ (…) While employed as a moving picture operator in a small town theater he was also studying to be a detective”. Keaton did not always manage to multitask his profession and his studies, but he had good intentions and did the best he could.

Keaton is also in love with a pretty girl, but he has an evil rival for her affections. None of them is particularly wealthy and could not afford giving her expensive gifts, for instance. One day both suitors visit the girl in her house and suddenly her father had his pocket watch stolen. Keaton volunteers to find out who had stolen it, but he isn’t particularly skilled as a detective yet and, to make things worse, his rival gets to put the pawn ticket of the watch in his pocket. Keaton ended up being accused of the crime and is kicked out of the house of his sweetheart. 

Buster Keaton was well-known for making his own stunts, many of them quite hair-raising and risky, and he did not care if it was dangerous or not. He seldom got hurt, but this time he had hurt himself very badly – and without even knowing it. While making this film, Keaton suffered at least two accidents, one of those became very spoken about by Buster Keaton scholars. In a scene Keaton followed closely the other suitor right after being kicked out of his sweetheart’s house until both of them embark a train and -for offscreen reasons -this scene became famous. It is in this scene where the most serious accident occurred. While on top of the train he was struck by the flow of water from a water tower. The force of the water was far greater than he had anticipated, which caused him to fall off the rope straight on the train track. He got to finish this scene, which was a chase, then interrupted the filming briefly and was back to work some days later. Around eleven years later, during a routine checkup, Keaton was told by a doctor that he had broken his neck in the past based on a x ray which showed a callus had had grown over the fracture on his neck. The second accident was during a bicycle chase scene displayed close to the end of the film, which was less serious than the first accident mentioned above.

What makes Sherlock Junior a special film is that it is a film within a film with many incredible gags and techniques. The whole show begins when Keaton fall asleep as a projectionist while showing a film in the movie theater. This film within the film is called “Hearts and Pearls”. Inside his dream, as a projectionist, Keaton tries to enter the “Hearts and Pearls” film that was being shown on screen, but he was kicked off by one of the actors. Subsequently, Keaton manages to enter the screen and becomes part of the film “Hearts and Pearls” and in this film inside the film the famous detective Sherlock Jr. (Keaton himself) is called to solve a crime. The pearls had been stolen in the house of a wealthy family and the real criminals prepared a trap for Sherlock Jr. -who was called “the crime-crushing criminologist” according to one of intertitles -but the trap did not work out and the detective left the house free from any harm and solved the crime right afterwards.

Meanwhile, the girl went to the pawn brokers carrying her father’s watch and asked the salesman to describe the man who had pawned that watch. He had described her other suitor and at that moment the suitor was coincidently passing by the store and the salesman had confirmed it was that guy who had pawned the watch.

When Keaton awakened and found out that his Sherlock Junior adventure had been just a dream, the girl was in his workplace to tell him that her father had committed a serious mistake and that he found out Keaton was innocent and did not steal the watch. Then, the film “Hearts and Pearls” was still being shown on screen and while talking to the girl he realized that his life had finally got similar to the plot of the film and this time he was not dreaming. It was true, his dreams had started to come true.

The plot is easy to understand and very human. After all, many people have already dreamed with social recognition and success while performing their ordinary duties. The romanticism between Keaton and the girl is similar to 1920s Harold Lloyd’s comedies and by this time the narrative style was well-established in Hollywood, not too different from the narratives from modern-day films.